“Bestowing Beauty: Masterpieces from Persian Lands” comes to the High Museum on Dec. 12, 2020

This winter, the High Museum of Art will present “Bestowing Beauty: Masterpieces from Persian Lands” (Dec. 12, 2020-spring 2021), an exhibition of nearly 100 works exemplifying the rich artistic traditions of Iranian civilization from the 6th to the 19th century.  

Organized by the Museum of Fine Arts, Houston, “Bestowing Beauty” features works rarely publicly displayed from one of the most significant private collections of Persian art, the Hossein Afshar Collection. The works span a range of media, including carpets, textiles, manuscripts, paintings, ceramics, lacquer, metalwork and jeweled objects. Highlights include exquisite miniature paintings from the Shahnama, the Iranian national epic; a range of historically significant ceramics; precious inlaid metal wares; finely woven silk fabrics; and a monumental silk carpet from the height of Safavid carpet production.  

“The magnificent range, as well as the historical significance, of the works featured in this exhibition is simply extraordinary,” said Rand Suffolk, Nancy and Holcombe T. Green, Jr., director of the High. “We are honored to bring such an important collection of Persian art to Atlanta and look forward to sharing it with our audience.” 

Monica Obniski, the High’s curator of decorative arts and design, said, “We are pleased to present High visitors with stunning works from several centuries of Persian cultural production. This rich artistic tradition demonstrates universal themes of humanity and reminds us that art serves to connect people across cultures — an urgent appeal, especially today, when we need reminders that we are more similar than dissimilar.” 

Mahmud Muzahhib, The Severity of a Teacher Is Better than the Love of a Father, folio from a Gulistan of Saʿdi, Uzbekistan, Bukhara, ca. 1545–1560, ink, opaque watercolor, and gold on paper, the Hossein Afshar Collection at the Museum of Fine Arts, Houston.

The objects on display reveal extraordinary stories, filled with experiences, ideas and emotions shared by all peoples. The artworks are grouped within the exhibition into sections focused on faith and piety, love and longing, kingship and authority, banquets and battles, and earth and nature.  

Faith and Piety 
Faith and piety are expressed in exquisitely penned Qur’an manuscripts produced across Islamic lands. The primary role of calligraphy in transmitting the word of God is paramount, but calligraphers also copied a variety of texts in addition to the Qur’an. Calligraphers enjoyed the highest status among artists, as reflected in the careful adornment of their tools. 

Love and Longing 
Love and longing are among the most celebrated themes in art around the world. The universal desire for the deepest form of human connection — also a metaphor for one’s yearning for divine love — finds profound expression in Persian poetry. A familiar subject in Persian poetry and art is that of the rose and the nightingale (gul u bulbul). The rose symbolizes the beloved, who has thorns and can be cruel, and the nightingale, the lover, who sings endlessly of his longing. This depiction of earthly devotion can be extrapolated to represent divine love and the soul’s search for a union with God. Earthly images of love and longing in this section include a pair of tightly embracing lovers on a slim lacquer pen case.  

Kingship and Authority, Banquets and Battles  
Imagery of kingship and authority figures has remained prominent in illustrated manuscripts of the Shahnama, or Book of Kings, since the 14th century. The related theme of banquets and battles (bazm u razm) — quintessential aspects of Persian kingship — is very popular. A new image of authority reached an apex in 19th-century Iran under the Qajars. Persian court painters created individualized portraits of contemporary kings, princes and members of the ruling elite, capturing the political agendas, personalities and images of power that their patrons sought to embody. Wonderful examples of these portraits are a highlight of the exhibition. 

Earth and Nature 
In the monotheistic traditions of Christianity, Judaism and Islam, the beauty of nature is a reminder of God as the giver of life. The garden is an earthly representation of this notion. A love for garden-like settings and the promise of spring and renewal pervade Persian culture. Representations of flowers, trees and flowing waters featured in this section’s artworks evoke the ancient idea of the garden as a symbol of paradise.  

Exhibition Catalogue 
“Bestowing Beauty: Masterpieces from Persian Lands — Selections from the Hossein Afshar Collection” (2019) is edited by Aimée Froom, curator at the Museum of Fine Arts, Houston, and published by the Museum of Fine Arts, Houston, and Yale University Press. The catalogue is available for purchase in the Museum shop and online. 

Cover photo: Feline, Iran, nineteenth century, cast bronze, the Hossein Afshar Collection at the Museumof FineArts, Houston.

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